Gerrit Haas re-theorizes the peculiar textual conduct of ficto/critical
writing, which inextricably intersects fictional with critical
discourses as well as aesthetics with poetics and ethics. The slash here
signals the conjunction between a self-reflexive ficto-critical
insight and a wider discursive ficto-critical motivation. In its
refined form, this twofold trope shifts perspective from the prevalent
generic between onto the meta-generic level of our textual practices.
Ultimately, the ficto/critical is thus qualified as an unheard-of
interventionist aesthetic of deconstruction directed at the
ramifications of our textual cultures.