Ewa Ziarek fully articulates a feminist aesthetics, focusing on the
struggle for freedom in women's literary and political modernism and the
devastating impact of racist violence and sexism. She examines the
contradiction between women's transformative literary and political
practices and the oppressive realities of racist violence and sexism,
and she situates these tensions within the entrenched opposition between
revolt and melancholia in studies of modernity and within the friction
between material injuries and experimental aesthetic forms. Ziarek's
political and aesthetic investigations concern the exclusion and
destruction of women in politics and literary production and the
transformation of this oppression into the inaugural possibilities of
writing and action. Her study is one of the first to combine an in-depth
engagement with philosophical aesthetics, especially the work of Theodor
W. Adorno, with women's literary modernism, particularly the writing of
Virginia Woolf and Nella Larsen, along with feminist theories on the
politics of race and gender. By bringing seemingly apolitical,
gender-neutral debates about modernism's experimental forms together
with an analysis of violence and destroyed materialities, Ziarek
challenges both the anti-aesthetic subordination of modern literature to
its political uses and the appreciation of art's emancipatory potential
at the expense of feminist and anti-racist political struggles.