In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight
into what growing up during empowerment postfeminism feels like, and
outlines the continuing postfeminist legacy of resilience in girlhood
coming-of-age narratives.
McDermott's analysis of Gone Girl (2012), Girls (2012-2017) and
Appropriate Behaviour (2012) illuminates a major cultural turn in
which the pleasures of postfeminist empowerment curdle into a profound
sense of rage and resentment. By contrast, close examination of The
Hunger Games (2008-2010), Girlhood (2014) and Catch Me Daddy (2014)
reveals that contemporary genres are increasingly constructing girls as
uniquely capable of resiliently overcoming and adapting to unforgiving
social conditions.
She develops an affective vocabulary to better understand contemporary
modes of defiant, transformative and relational resilience, as well as a
framework through which to expand on further modes that are specific to
the genres they emerge within. Overall, the book suggests that
exploration of the affective dimensions of girls' and women's culture
can offer new insights into how coming-of-age, girlhood and femininity
are culturally produced in the aftermath of postfeminism.