Formerly known as 'Nile gods', fecundity figures - personifications of
aspects of non-sexual fertility - have a significant role in the
sophisticated iconography of ancient Egypt. In his pioneering study,
first published in 1985, John Baines introduces new approaches to
Egyptian art and symbolic classification through a study of this
distinctive genre. Part 1 analyses the definition of Egyptian
personifications, whose role has parallels in many cultures. The focus
is on 'formal' personifications - abstractions in language that are
names of deities, such as 'Order' or 'Food'. Emblematic personifications
are their visual counterparts, signs in the script for concepts like
'Life' that become actors with added human limbs. Part 2 investigates
fecundity figures. Their form and its meaning are analysed, as well as
the range of their names. The two principal scene types in which they
occur, bringing offerings and the heraldic 'uniting of the Two Lands',
are reviewed separately. An excursus studies the principle of artistic
decorum through the distribution and compatibility of scene and figure
types including emblematic personifications. This concept has been very
influential in Egyptology since it was introduced in Fecundity figures.
The concluding chapter reviews abnormal contexts for fecundity figures,
bringing together and extending the findings of the two parts. An
appendix presents and analyses the patterning of colour on fecundity
figures in the context of cross-cultural issues in colour
classification.