Faulkner's final novel, The Reivers, has been gently dismissed by
scholars and critics as no more than its subtitle claims, A
Reminiscence. Although the new millennium has seen a new appreciation
for Faulkner's later novels, The Reivers is still perceived as a
slightly fictionalized comic memoir romanticizing the early life of the
author in the pre-civil rights American South. This volume takes this
dismissal of The Reivers to task for failing to appreciate its
employment of the Apuleian narrative of life-altering metamorphosis to
offer, as his literary farewell, hope for humanity's self-redemption.
Vernon L. Provencalstudies the reception of The Golden Ass in The
Reivers as comic novels of moral katabasis (wilful descent into the
lawless underworld) and providential anabasis (societal and spiritual
redemption). As the independent basis of the reception study, The
Reivers receives its first ever detailed reading, while The Golden
Ass is read anew from the teleological perspective offered by the
(undervalued) prophecy that in the end the comic hero would become the
book itself