A study of William Faulkner's final phase as a period in which he faced
up to America's rigid protocols of racial ideology
This study argues that Faulkner's writings about racial matters
interrogated rather than validated his racial beliefs and that, in the
process of questioning his own ideology, his fictional forms extended
his reach as an artist.
After winning the Nobel Prize in 1950, Faulkner wrote what critics term
"his later novels." These have been almost uniformly dismissed, with the
prevailing view being that as he became a more public figure, his
fiction became a platform rather than a canvas.
Within this context Faulkner on the Color Line redeems the novels in
the final phase of his career by interpreting them as Faulkner's way of
addressing the problem of race in America. They are seen as a series of
formal experiments Faulkner deliberately attempted as he examined the
various cultural functions of narrative, most particularly those
narratives that enforce Amer