In 1962, the philosopher Richard Taylor used six commonly accepted
presuppositions to imply that human beings have no control over the
future. David Foster Wallace not only took issue with Taylor's method,
which, according to him, scrambled the relations of logic, language, and
the physical world, but also noted a semantic trick at the heart of
Taylor's argument.
Fate, Time, and Language presents Wallace's brilliant critique of
Taylor's work. Written long before the publication of his fiction and
essays, Wallace's thesis reveals his great skepticism of abstract
thinking made to function as a negation of something more genuine and
real. He was especially suspicious of certain paradigms of thought-the
cerebral aestheticism of modernism, the clever gimmickry of
postmodernism-that abandoned "the very old traditional human verities
that have to do with spirituality and emotion and community." As Wallace
rises to meet the challenge to free will presented by Taylor, we witness
the developing perspective of this major novelist, along with his
struggle to establish solid logical ground for his convictions. This
volume, edited by Steven M. Cahn and Maureen Eckert, reproduces Taylor's
original article and other works on fatalism cited by Wallace. James
Ryerson's introduction connects Wallace's early philosophical work to
the themes and explorations of his later fiction, and Jay Garfield
supplies a critical biographical epilogue.