Cinema, the primary vehicle for storytelling in the twentieth century,
is being reconfigured by new media in the twenty-first. Terms such as
"worldbuilding," "virtual reality," and "transmedia" introduce new
methods for constructing a screenplay and experiencing and sharing a
story. Similarly, 3D cinematography, hypercinema, and visual effects
require different modes for composing an image, and virtual technology,
motion capture, and previsualization completely rearrange the
traditional flow of cinematic production. What does this mean for
telling stories? Fast Forward answers this question by investigating a
full range of contemporary creative practices dedicated to the future of
mediated storytelling and by connecting with a new generation of
filmmakers, screenwriters, technologists, media artists, and designers
to discover how they work now, and toward what end. From Chris Milk and
Aaron Koblin's exploration of VR spherical filmmaking to Rebeca Méndez's
projection and installation work exploring climate change to the richly
mediated interactive live performances of the collective Cloud Eye
Control, this volume captures a moment of creative evolution and sets
the stage for imagining the future of the cinematic arts.