Revealing how a modern notion of fashion helped to transform the novel
and its representation of social change and individual and collective
life in nineteenth-century Britain, Lauren Gillingham offers a
revisionist history of the novel. With particular attention to the
fiction of the 1820s through 1840s, this study focuses on novels that
use fashion's idiom of currency and obsolescence to link narrative form
to a heightened sense of the present and the visibility of public life.
It contends that novelists steeped their fiction in date-stamped matters
of dress, manners, and media sensations to articulate a sense of history
as unfolding not in epochal change, but in transient issues and
interests capturing the public's imagination. Reading fiction by Mary
Shelley, Letitia Landon, Edward Bulwer-Lytton, W. H. Ainsworth, Charles
Dickens, Mary Elizabeth Braddon, and others, Fashionable Fictions tells
the story of a nineteenth-century genre commitment to contemporaneity
that restyles the novel itself.