Experimental fashion has a dark side, a preoccupation with
representations of death, trauma, alienation and decay. This seminal
publication offers an unexpected discussion of cutting-edge fashion in
the 1990s, exploring what its disturbing themes tell us about consumer
culture and contemporary anxieties. Caroline Evans analyses the work of
innovative designers, the images of fashion photographers and the
spectacular fashion shows that developed in the final decade of the
twentieth century to arrive at a new understanding of fashion's dark
side and what it signifies.
Fashion at the Edge considers a range of ground- breaking fashion in
unprecedented depth and detail, including the work of such designers as
John Galliano, Alexander McQueen, Hussein Chalayan and Viktor & Rolf,
and photographers such as Steven Meisel, Nick Knight and Juergen Teller.
Drawing on diverse perspectives from Marx to Walter Benjamin, Evans
shows that fashion stands at the very centre of the contemporary, and
that it voices some of Western culture's deepest concerns.