Far-Flung traverses multiple terrains--home and upheaval, our
connection to the environment and to people, our relation to the past,
place and placelessness. From 'the Kilmog slumping seaward' to 'the
bracts and the berries and the leaves' of the Mackenzie country, the
moth ('courier of bloom powder'), the wind that grows like an animal and
'the great loneliness / of grass'--Gallagher is in conversation with the
natural world. Her lyric poems, marked by attentiveness, have an earthy,
intuitive music and a linguistic clarity. Gallagher moves easily from
the ecological and personal concerns of contemporary life to the
nineteenth-century Irish migrants and the historic legacy of the
Seacliff Lunatic Asylum. The multi-voiced, dramatic sequence 'Seacliff
Epistles' draws on a rich variety of poetic forms: from lyric to prose
poem, parable to riddle, monologue and letter poem. Bill Manhire called
Rhian Gallagher's poetry 'one of the quiet, astonishing secrets of New
Zealand writing'. Far-Flung sees the poet's lyric exploration broaden
considerably in an assured new work.