In Russia at the turn of the twentieth century, printed literature and
performances - from celebrity narratives and opera fandom to
revolutionary acts and political speeches - frequently articulated
extreme emotional states and passionate belief. A uniquely intense
approach to public life and private expression - the 'melodramatic
imagination' - is at the center of this study. Previously, scholars have
only indirectly addressed the everyday appropriation of melodramatic
aesthetics in Russia, choosing to concentrate on canonical texts and
producers of mass culture. Collective fantasies and affects are daunting
objects of study, difficult to render, and almost impossible to prove
empirically. Music and art historians, with some notable exceptions,
have been reluctant to discuss reception for similar reasons. By
analyzing the artifacts and practices of a commercialized opera culture,
author Anna Fishzon provides a solution to these challenges. Her focus
on celebrity and fandom as features of the melodramatic imagination
helps illuminate Russian modernity and provides the groundwork for
comparative studies of fin-de-siècle European popular and high culture,
selfhood, authenticity, and political theater.