How do we understand and respond to performance in cinema? How does the
performing body move through cinematic space and according to cinematic
temporalities? Focusing on the work of the actor, but not simply about
acting, Falling for You offers a range of theoretical approaches for
illuminating the affective force of cinema. Concentrating on the work of
important figures such as Welles, Cassavetes, Scorsese, Hartley, Ts'ai
Ming-Liang, Chaplin, Keaton and Streisand, these essays will also be
read for their inventive and persuasive readings of particular films and
performers. In its lively curiosity about an under-theorised area,
Falling For You brings an invigorating perspective to bear on
performance and expands the imaginative horizon of cinema studies.