This book argues that the established view of Elizabeth Gaskell as a
sociopolitical and/or provincial writer is a serious distortion of her
achievements. It seeks to resituate Gaskell's work within the wider
tradition of nine-teenth century realism, arguing that Gaskell's 'Wives
and Daughters' is the nearest equivalent we have in English to Leo
Tolstoy's 'Anna Karenina'.