Most of today's familiar fairy tales come from the stories of Charles
Perrault, the Brothers Grimm, and Hans Christian Andersen, but this
innovative study encourages us to explore the marvelous tales of authors
from the early modern period Giovanni Straparola, Giambattista Basile,
Madame Marie-Catherine D'Aulnoy, and others whose works enrich and
expand the canon. As author Jo Eldridge Carney shows, the queen is
omnipresent in these stories, as much a hallmark of the genre as other
familiar characteristics such as the number three, magical objects, and
happy endings. That queens occupy such space in early modern tales is
not surprising given the profound influence of so many powerful queens
in the political landscapes of early modern England and Europe. Carney
makes a powerful argument for the historical relevance of fairy tales
and, by exploring the dynamic intersection between fictional and actual
queens, shows how history and folk literature mutually enrich our
understanding of the period.