Is a facsimile an edition? In answering this question in relation to
Shakespeare, and to early modern writing in general, the author explores
the interrelationship between the beginning of the conventional process
of collecting and editing Shakespeare's plays and the increasing
sophistication of facsimiles. While recent scholarship has offered a
detailed account of how Shakespeare was edited in the eighteenth
century, the parallel process of the 'exact' reproduction of his texts
has been largely ignored. The author will explain how facsimiles moved
during the eighteenth and nineteenth century from hand drawn, traced,
and type facsimiles to the advent of photographical facsimiles in the
mid nineteenth century. Facsimiles can be seen as a barometer of the
reverence accorded to the idea of an authentic Shakespeare text, and
also of the desire to possess, if not original texts, then reproductions
of them.