Film archives have long been dedicated to preserving movies, and they've
been nimble in recent years in adapting to the changing formats and
technologies through which cinema is now created and presented. This
collection makes the case for a further step: the need to see media
technologies themselves as objects of conservation, restoration,
presentation, and research, in both film archives and film studies.
Contributors with a wide range of expertise in the film and media world
consider the practical and theoretical challenges posed by such
conservation efforts and consider their potential to generate productive
new possibilities in research and education in the field.