Every book relating the history of modern architecture features a large
number of pages dedicated to avant-garde designs and the formation of
the modern movement in the interwar years, and a similar number devoted
to reconstruction and expansion after the Second World War. Meanwhile,
as if owing to lack of understanding or convenient silence, there is
void of dark years, of wars, exile and misfortune about which little can
be said. However, it was in these dark times, as in so many other
revealing moments in the history of culture, that experimental and
profoundly invigorating experiences were taking place. Architects and
artists voluntarily or forcibly driven to the margins of social
importance began to react to a culturally unsustainable situation of
which we know very little even today. In Experiments with Life Itself,
Francisco Gonzalez de Canales studies a series of unrelated cases from
the late 1930s to the late 1950s that he refers to as domestic
self-experimentation.