Comparing radical experiments undertaken by Trinidadian writer C. L. R.
James and Brazilian artist Hélio Oiticica, Experiments in Exile charts
their common desire to reconceive citizenship. Laura Harris shows how
James and Oiticica gravitate toward and attempt to relay the ongoing
renewal of dissident, dissonant social forms that constitute what she
calls "the aesthetic sociality of blackness," in the barrack-yards of
Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of
Detroit and the streets of the New York, ultimately challenging rather
than rehabilitating normative conceptions of citizens and polities as
well as authors and artworks.