Was there experimental cinema behind the Iron Curtain? What forms did
experiments with film take in state-socialist Eastern Europe? Who
conducted them, where, how, and why? These are the questions answered in
this volume, the first of its kind in any language. Bringing together
scholars from different disciplines, the book offers case studies from
Bulgaria, the Czech Republic, former East Germany, Hungary, Poland,
Romania, and former Yugoslavia. Together, these contributions
demonstrate the variety of makers, production contexts, and aesthetic
approaches that shaped a surprisingly robust and diverse experimental
film output in the region. The book maps out the terrain of our
present-day knowledge of cinematic experimentalism in Eastern Europe,
suggests directions for further research, and will be of interest to
scholars of film and media, art historians, cultural historians of
Eastern Europe, and anyone concerned with questions of how alternative
cultures emerge and function under repressive political conditions.