Experiencing the Afterlife provides the first sustained analysis of
popular, vernacular depictions of the afterlife written in Italy before
the Divine Comedy by authors such as Uguccione da Lodi, Giacomino da
Verona, and Bonvesin da la Riva. Manuele Gragnolati uses his readings of
these poets to provide a new interpretation of Dante's work. Combining
elements from several disciplines, he investigates the richness of high
medieval eschatology and the concept of personal identity it expresses.
Gragnolati is particularly concerned with how the notions of body and
pain characteristic of medieval spirituality and devotion inform the
eschatological representations of the time, especially in their
paradoxical urge to stress at once the physical experience of the
separated soul and the final necessity of bodily resurrection.
By integrating lesser-known texts and scholarship from other disciplines
into the specialized field of Dante studies, Gragnolati sheds new light
on some of the most vigorously debated and crucial questions raised by
the Divine Comedy, including the embryological discourse of
Purgatorio 25, the relation between the soul's experience of pain in
Purgatory and the devotion that late medieval culture expressed toward
Christ's suffering, and the significance of the audacious vision of
resurrected bodies that Dante the pilgrim enjoys at the end of his
journey. At the same time, Gragnolati brings these questions back into
contemporary discussions of medieval eschatology and opens new
perspectives for current and future work on embodiment and identity.
Scholars and students of Dante and Italian studies, as well as those in
medieval history, religion, culture, and art history, will be rewarded
by the fresh insights contained in Experiencing the Afterlife.