Consideration of recent shows of Mieke Bal's video work, framed by
observations on contemporary sculpture's response to classics of the
form.
In Exhibition-ism, theorist and artist Mieke Bal develops the idea
that exhibiting is a significant form of the contemporary. In an
exhibition, visitors are in the actual company of artworks that can
perform. This book considers recent shows of Bal's own video work, and
is framed by observations on contemporary sculpture's response to
classics of the form. Looking at art as process, Bal makes the case that
the being-together-in-time of an exhibition visit encourages and, if the
curation is well-thought-out, can heighten the sense of the
contemporaneity--art being more capable of this than anything else.