In her research Yulia Nurliani Lukito analyses modernity and the
construction of culture by the authorities using the images of
Indonesian vernacular architecture presented at three different sites
and times. She argues that modernity is not solely constructed by the
authorities, rather it is an ongoing process modified by visitors of
exhibitions. Pasar Gambir was a laboratory of modernity for the colony,
and an important stage in modernizing and negotiating cultural and
social conditions in the colony. The Dutch Pavilion at the 1931 colonial
exhibition became a moment when the Indies heritages played a role in
marking colonial territory. Modern ethnographic park of Taman Mini gives
a way to the making of an official 'authentic' culture and suppresses
the previous Dutch construction of the Indies culture.