Polish-born artist Ewa Partum is considered a pioneer of Central-Eastern
European feminist art produced within the conceptual idiom. Her work can
also be divided chronologically into Polish (1965-82), West Berlin
(1982-1989) and transnational (from 1989) periods. Karolina
Majewska-Güde articulates the historical alterity of Ewa Partum's works
in their various locations and the specificity of the positions from
which Partum's art was interpreted and disseminated. At the same time,
the book engages with the art histories of the Central and Eastern
European neo-avant-gardes focusing on the issue of narrative strategies
of CEE art history.