It is Tom Stoppard's very special skill as the master comedian of ideas
in the modern theater to create brilliant, biting humor out of serious
concerns. Virtually assaulting the audience with a cascade of words and
a conspicuous display of intellect, Stoppard, in Every Good Boy Deserves
Favor, contrasts the circumstances of a political prisoner and a mental
patient in a Soviet insane asylum, to question the difference, if any,
between free will and the freedom to conform. The situation, in which
the mental patient hears an orchestra, is both chilling and funny as we
are introduced to two men who happen to share the same name, are in
carcerated in the same cell, and are attended by the same doctor.