Waugh's life and his literary life exist in fascinating, dynamic
relationship. Virtually all of his fiction was autobiographical, yet he
maintained that his novels were 'objects', unrelated to the life of
their author. This study traces the shifting relationship of
ascertainable fact and imaginative fiction throughout Waugh's career,
focusing on the endless negotiation he conducted between life and art,
and on why, from being author of the anarchic, hilarious Decline and
Fall, he transformed himself into the author of the romantic,
eschatological Brideshead Revisited .