Greenhill presents three studies from the perspective of a folklorist
and within the framework of feminist analysis. Loosely linked by the
theme of power and discussion of carnivalesque elements of traditional
and popular culture, these studies examine immigrants' narratives about
adjusting to life in Canada; Morris dancing as practised by Forest City
Morris of London, Ontario; and actions and responses of promoters and
residents to the development of the Shakespeare festival in Stratford,
Ontario. Greenhill notes that because the English are perceived as
lacking carnivalesque traditions, their position vis-à-vis other ethnic
groups has been defined solely in terms of power, and demonstrates that
concepts of power and entitlement are inextricably bound up in English
self-definition. She concludes by examining the implications for social
scientific practice of an insider studying her own culture and the
political ramifications of such studies for a pluralistic, multicultural
society such as Canada. Greenhill's methods, concepts, and conclusions
have much to offer practitioners in the fields of folklore, Canadian
studies, ethnic studies, anthropology, and women's studies.