The literature and art of the French Enlightenment is everywhere marked
by an intense awareness of the moment. The parallel projects of living
in, representing, and learning from the moment run through the
Enlightenment's endeavors as tokens of an ambition and a heritage
imposing its only and ultimately impossible cohesion. In this
illuminating study, Thomas M. Kavanagh argues that Enlightenment culture
and its tensions, contradictions, and achievements flow from a
subversive attention to the present as present, freed from the weight of
past and future. Examining a wide sweep of literary and artistic
culture, Kavanagh argues against the traditional view of the Age of
Reason as one of coherent, recognizable ideology expressed in a
structured narrative form. In literature, he analyzes the moment at work
in the inebriating lightness of Marivaux's repartee; the new-found
freedom of Lahontan's and Rousseau's ideals of a consciousness limited
to the present; Diderot's championing of Epicurean epistemology;
Graffigny's portrayal of abrupt cultural displacement; and Casanova's
penchant for chance's redefining moment. The moment in art theory and
practice is explored in such forms as de Piles's defense of color; Du
Bos's foregrounding of perception; Watteau's indulgence in a corporeal
present; Chardin's dismantling of mimesis; and Boucher's and Fragonard's
thematics of desire.