Written sometime between 1330 and 1332, the Essays in Idleness, with
their timeless relevance and charm, hardly mirror the turbulent times in
which they were born. Despite the struggle between the Emperor Go-Daigo
and the usurping Hojo family that rocked Japan during these years, the
Buddhist priest Kenko found himself "with nothing better to do, jotting
down at random whatever nonsensical thoughts have entered my head." The
resulting essays, none of them more than a few pages in length and some
consisting of but two or three sentences, treat a great variety of
subjects in a congenial, anecdotal style. Kenko clung to tradition,
Buddhism, and the pleasures of solitude, and the themes he treats are
all suffused with an unspoken acceptance of Buddhist beliefs. Above all,
Kenko gives voice to a distinctively Japanese aesthetic principle: that
beauty is bound to perishability.