A composer who dabbled in the Dada movement, a Bohemian "gymnopédiste"
of fin-de-siècle Montmartre, and a legendary dresser known as "The
Velvet Gentleman," Erik Satie cut a unique figure among early
twentieth-century European composers. Yet his legacy has largely
languished in the shadows of Stravinsky, Debussy, and Ravel. Mary E.
Davis now brings Satie to life in this fascinating new biography.
Satie redefined the composer's art, devising new methods of artistic
expression that melded ordinary and rarified elements of words, visual
art, and music. Davis argues that Satie's modernist aesthetic was
grounded in the contradictions of his life--such as enrolling in the
conservative Schola Cantorum after working as a cabaret performer--and
is reflected in his irreverent essays, drawn art, and music. Erik
Satie explores how the composer was embraced by avant-garde artists and
fashionable Parisian elite, and how his experiences inspired him to
create the musical style of Neoclassicism. Satie also employed the power
of the image through his infamous fashion statements, Davis contends,
and became part of a nascent celebrity culture.
A cogent and informative portrait, Erik Satie upends the accepted
history of modernist music and restores the composer to his rightful
pioneering status.