Nelson Algren sought humanity in the urban wilderness of postwar
America, where his powerful voice rose from behind the billboards and
down tin-can alleys, from among the marginalized and ignored, the
outcasts and scapegoats, the punks and junkies, the whores and
down-on-their luck gamblers, the punch-drunk boxers and skid-row
drunkies and kids who knew they'd never reach the age of twenty-one: all
of them admirable in Algren's eyes for their vitality and no-bullshit
forthrightness, their insistence on living and their ability to find a
laugh and a dream in the unlikeliest places.
In Entrapment and Other Writings--containing his unfinished novel and
previously unpublished or uncollected stories, poems, and essays--Algren
speaks to our time as few of his fellow great American writers of the
1940s and '50s do, in part because he hasn't yet been accepted and
assimilated into the American literary canon despite that he is held up
as a talismanic figure. You should not read [Algren] if you can't take
a punch, Ernest Hemingway declared. Mr. Algren can hit with both hands
and move around and he will kill you if you are not awfully careful.