Cefalu offers the first sustained assessment of the ways in which recent
contemporary philosophy and cultural theory -- including the work of
Giorgio Agamben, Alain Badiou, Eric Santner, Slavoj Zizek, and Alenka
Zupancic -- can illuminate Early Modern literature and culture. The book
argues that when selected Early Modern devotional poets set out to
represent subject-God relations, they often encounter some sublime
aspect of God that, in Slovenian-Lacanian terms, seems "Other" to
himself. This divine Other, while sometimes presented directly as a void
or empty place, is more often filled in and presented instead as some
form of divine excess. While Donne, and to a lesser extent Traherne,
disavow those numinous aspects of God that might subsist beneath such
excesses, Crashaw, and especially Milton, attempt to represent the
intimate relationship between any creature's and God's intrinsic
alterity. Cefalu introduces new ways of theorizing not only
seventeenth-century religious ideologies, but also the nature of Early
Modern subjectivity.