A comprehensive survey of the intriguing misericord carvings, setting
them in their religious context and looking at their different themes
and motifs.
Misericord carvings present a fascinating corpus of medieval art which,
in turn, complements our knowledge of life and belief in the late middle
ages. Subjects range from the sacred to the profane and from the
fantastic to the everyday, seemingly giving equal weight to the
scatological and the spiritual alike. Focusing specifically on England -
though with cognisance of broader European contexts - this volume offers
an analysis of misericords in relation to other cultural artefacts of
the period. Through a series of themed "case studies", the book places
misericords firmly within the doctrinal and devotional milieu in which
they were created and sited, arguing that even the apparently coarse
images to be found beneath choir stalls are intimately linked to the
devotional life of the medieval English Church. The analysis is
complemented by a gazetteer of the most notable instances.
Paul Hardwick isProfessor in English, Leeds Trinity University College.