New interpretations of an art form ubiquitious in the Middle Ages.
English alabasters played a seminal role in the artistic development of
late medieval and early modern Europe. Carvings made of this lustrous
white stone were sold throughout England and abroad, and as a result
many survived the iconoclasm that destroyed so much else from this
period. They are a unique and valuable witness to the material culture
of the Middle Ages.
This volume incorporates a variety of new approaches to these artefacts,
employing methodologies drawn from a number of different disciplines.
Its chapters explore a range of key points connected to alabasters:
their origins, their general history and their social, cultural,
intellectual and devotional contexts.
ZULEIKA MURAT is a Research Fellow and Lecturer in the History of
Medieval Art at the University of Padua.
Contributors: Jennifer Alexander, Jon Bayliss, Claire Blakey, Stephanie
De Roemer, Rachel King, AndrewKirkman, Aleksandra Lipinska, Zuleika
Murat, Luca Palozzi, Sophie Phillips, Nigel Ramsay, Christina Welch,
Philip Weller, Kim Woods, Michaela Zöschg