Endless Shout asks how, why and where performance and improvisation
can take place inside a museum. The book documents a six-month series of
experimental performances organized by the Institute of Contemporary
Art, University of Pennsylvania, where five participants--Raúl de
Nieves, Danielle Goldman, George Lewis, The Otolith Group and taisha
paggett--collectively led a series of improvisation experiments. These
include Miya Masaoka's A Line Becomes a Circle, which pays tribute to
Shiki Masaoka, a subversive Japanese haiku writer; jumatatu m. poe and
Jerome "Donte" Beacham's Let 'im Move You, addressing the history of
J-Sette, a dance form popularized at historically black colleges; and A
Recital for Terry Admins by composer George Lewis. The book includes an
essay by curator Anthony Elms, conversations with Jennie C. Jones and
Wadada Leo Smith on themes of rhythm, rehearsal and improvisation, plus
new works created specifically for the book, such as a script by The
Otolith Group on blackness and digital color correction.