Emir Kusturica is one of Eastern Europe's most celebrated and
influential filmmakers. Over the course of a thirty-year career,
Kusturica has navigated a series of geopolitical fault lines to produce
subversive, playful, often satiric works. On the way he won acclaim and
widespread popularity while showing a genius for adjusting his poetic
pitch--shifting from romantic realist to controversial satirist to
sentimental jester.
Leading scholar-critic Giorgio Bertellini divides Kusturica's career
into three stages--dissention, disconnection, and dissonance--to reflect
both the historic and cultural changes going on around him and the
changes his cinema has undergone. He uses Kusturica's Palme d'Or winning
Underground (1995)--the famously inflammatory take on Yugoslav history
after World War II--as the pivot between the tone of romantic, yet
pungent critique of the director's early works and later journeys into
Balkanist farce marked by slapstick and a self-conscious primitivism.
Eschewing the one-sided polemics Kusturica's work often provokes,
Bertellini employs balanced discussion and critical analysis to offer a
fascinating and up-to-date consideration of a major figure in world
cinema.