A Palestinian living in New York, Emily Jacir became known for her text
and photo piece "Where We Come From" (2003), which was shown in the 2004
Whitney Biennial. The work documents Jacir's travels through
Palestine--with the liberty of her U.S. passport--performing tasks from
the mundane to the poignant for nearly 30 exiled Palestinians from
around the world. Jacir, who was born in 1970, takes on such highly
fraught collisions of culture, religion and politics with conceptually
complex yet elegant and emotionally moving means of resistance. This
publication collects recent works, including "From Paris to Riyadh,"
(1999-2001). In this central work, Jacir, now one of the Middle East's
most important contemporary artists, aims to illuminate the overlap
between western culture and Arab values by making pencil drawings over
the naked skin of models in glossy magazines, censoring certain areas
according to custom.