This SpringerBrief provides a unique insight into the practice and
research of the connections between voice, HCI and embodiment.
Specifically, it explores how the voice can be embodied and mediated by
means of gestural communication through sensor interfaces and aims to
situate and contextualise various aspects that generate meaningful
connections in such interactive interface performance. The author offers
an approach for understanding creative practices between humans and
computers in gestural live music performance, from the perspective of
the embodied relationships created within such systems. Underlying
practices, principles and sensor technologies that support creativity in
embodied human-computer interaction in vocal music performance are
examined and a dynamic framework and tools for anyone wishing to engage
with this subject in depth are presented.
The book is essential reading not only for musicians, composers,
researchers, application developers, musicologists and educators but
also for students and tertiary institutions as well as actors and
dramaturgs in a music context.