Court dance in Java has changed from a colonial ceremonial tradition
into a national artistic classicism. Central to this general
transformation has been dance's role in personal transformation,
developing appropriate forms of everyday behaviour and strengthening the
powers of persuasion that come from the skillful manipulation of both
physical and verbal forms of politeness. This account of dance's
significance in performance and in everyday life draws on extensive
research, including dance training in Java, and builds on how
practitioners interpret and explain the repertoire. The Javanese case is
contextualized in relation to social values, religion, philosophy, and
commoditization arising from tourism. It also raises fundamental
questions about the theorization of culture, society and the body during
a period of radical change.