Elizabeth Bishop and the Music of Literature brings together the
latest understandings of how central music was to Bishop's writing. This
collection considers Bishop's reworking of metrical and rhythmic forms
of poetry; the increasing presence of prosaic utterances into
speech-soundscapes; how musical poetry intones new modes of thinking
through aural vision; how Bishop transforms traditionally distasteful
tones of violence, banality, and commerce into innovative poetry; how
her diverse, lifelong musical education (North American, European,
Brazilian) affects her work; and also how her diverse musical settings
have inspired global contemporary composers. The essays flesh out the
missing elements of music, sound, and voice in previous research that
are crucial to understanding how Bishop's writing continues to dazzle
readers and inspire artists in surprising ways.