Deeply felt requiems from an internationally celebrated poet
Kamau Brathwaite is a major Caribbean poet of his generation and one of
the major world poets of the second half of the twentieth century.
Elegguas--a play on "elegy" and "Eleggua," the Yoruba deity of the
threshold, doorway, and crossroad--is a collection of poems for the
departed. Modernist and post-modernist in inspiration, Elegguas draws
together traditions of speaking with the dead, from Rilke's Duino
Elegies to the Jamaican kumina practice of bringing down spirits of the
dead to briefly inhabit the bodies of the faithful, so that the
ancestors may provide spiritual assistance and advice to those here on
earth. The book is also profoundly political, including elegies for
assassinated revolutionaries like in the masterful "Poem for Walter
Rodney."
Throughout his poetry, Brathwaite foregrounds "nation-language," that
difference in syntax, in rhythm, and timbre that is most closely allied
to the African experience in the Caribbean, using the computer to
explore the graphic rendition of nuances of language. Brathwaite
experiments using his own Sycorax fonts, as well as deliberate
misspellings ("calibanisms") and deviations in punctuation. But this is
never simple surface aesthetic, rather an expression of the turbulence
(in history, in dream) depicted in the poems. This collection is a
stunning follow-up to Brathwaite's Born to Slow Horses (Wesleyan, 2005),
winner of the Griffin International Poetry Prize.