Unavailable for more than fifty years, EIMI finally returns. While
sometimes termed a novel, it is better described as a novelistic
travelogue, the diary of a trip to Russia in the 1930s during the rise
of the Stalinist government. Despite some contempt for what he
witnesses, Cummings's narrator has an effective, occasionally hilarious
way of evoking feelings of accord and understanding. As Ezra Pound
wrote, Cummings's Soviet Union is laid out there pellucidly on the page
in all its Slavic unfinishedness, in all of its Dostoievskian
slobberyness....Does any man wish to know about Russia? 'EIMI'!
A stylistic tour de force, EIMI is a mélange of styles and tones, the
prose containing many abbreviations, grammatical and syntactical shifts,
typographical devices, compounds, and word coinages. This is Cummings's
invigorating and unique voice at its finest, and EIMI is without
question one of his most substantial accomplishments.