A study of the representation of education in material culture, at a
period of considerable change and growth.
On the facade of Chartres cathedral serene personifications of the arts
of grammar, rhetoric, dialectic, music, arithmetic, geometry and
astronomy present passers-by with a vision of education as an improving
process leading to greater knowledge of God. The arts proved a popular
subject in medieval imagery, and were included in manuscripts,
stained-glass and luxury metalwork objects as well as on the facades of
churches. These idealized figures contrast with many textual accounts of
education, in which authors recorded the hardships of student poverty
and the temptations of drink and women to be found in the cities where
teachers were increasingly establishing themselves.
Thisbook considers how and why education was explored in the art and
architecture of the twelfth century. Through analysis of imagery in a
wide range of media, it examines how teachers and students sought to use
images to enhance their reputations and the status of their studies. It
also investigates how the ideal models often set out in imagery compared
with contemporary practice in an era that saw significant changes,
beginning with a shift away from monastic education and culminating in
the appearance of the first universities.
LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of
English Studies, University of London.