Eating Shakespeare provides a constructive critical analysis of the
issue of Shakespeare and globalization and revisits understandings of
interculturalism, otherness, hybridity and cultural (in)authenticity.
Featuring scholarly essays as well as interviews and conversation pieces
with creatives - including Geraldo Carneiro, Fernando Yamamoto, Diana
Henderson, Mark Thornton Burnett, Samir Bhamra, Tajpal Rathore, Samran
Rathore and Paul Heritage - it offers a timely and fruitful discourse
between global Shakespearean theory and practice.
The volume uniquely establishes and implements a conceptual model
inspired by non-European thought, thereby confronting a central concern
in the field of Global Shakespeare: the issue of Europe operating as a
geographical and cultural 'centre' that still dominates the study of
Shakespearean translations and adaptations from a 'periphery' of
world-wide localities. With its origins in 20th-century Brazilian
modernism, the concept of 'Cultural Anthropophagy' is advanced by the
authors as an original methodology within the field currently understood
as 'Global Shakespeare'. Through a broad range of examples drawn from
theatre, film and education, and from both within Brazil and beyond, the
volume offers illuminating perspectives on what Global Shakespeare may
mean today.