Set against the backdrop of global architectural production, the work of
the Lebanese architect Nabil Gholam and his associates defies easy
classification. On the one hand it can be regarded as a competent,
modern, global practice for which the legendary SOM is still a model. On
the other, NGA are capable of creating works that possess a uniquely
grounded, local character at a variety of scales, from one-off luxury
villas to the occasional monumental project at an urban scale, as in
their entry for the Jabal Omar International Design Competition, planned
for Mecca in Saudi Arabia at the turn of the millennium. It is
paradoxical that this prosperous, sophisticated practice should be
located in what is still, despite its prosperity, the unstable and often
violent environment of Beirut.