Based on original archival research, Early Cinema, Modernity and Visual
Culture: The Imaginary of the Balkans is the first study on early cinema
in the region from a transnational and cross-cultural perspective. It
investigates how the unique geopolitical positioning of the Balkan space
and its multiculturality influenced and shaped visual culture and
cinema. Countering Eurocentric modernity paradigms and reframing
hierarchical relations between centres and peripheries, this book adopts
an alternative methodology for interstitial spaces. By deploying the
notion of the haptic, it establishes new connections between moving
image artefacts and print media, early film practitioners, the
socio-political context and cultural responses to the new visual medium.