This book contains the first complete translation in English of E. T. A.
Hoffmann's major musical writings, complementing the well-known Tales.
It offers, therefore, a long-awaited opportunity to assess the thought
and influence of one of the most famous of all writers on music and the
musical links with his fiction. Containing the first complete appearance
in English of Kreisleriana, it reveals a masterpiece of imaginative
writing whose title is familiar to musicians (from Robert Schumann's
piano cycle) and whose profound humour and irony can now be fully
appreciated. This volume offers translations aiming at the greatest
fidelity to Hoffmann, as well as musical accuracy in the reviews. David
Charlton's three introductory essays provide extensive information on
the background to Romantic music criticism; on the origins and internal
structure of Kreisleriana; and on Hoffmann and opera. A concluding essay
by the late Friedrich Schnapp lists Hoffmann's planned reviews and those
mistakenly attributed to him.