In the 21st century, actors face radical changes in plays and
performance styles, as they move from stage to screen and grapple with
new technologies that present their art to ever-expanding audiences.
Active Analysis offers the flexibility of mind, body, and spirit now
urgently needed in acting.
Dynamic Acting through Active Analysis brings to light this timely
legacy, born during the worst era of Soviet repression and hidden for
decades from public view.
Part I unfolds like a mystery novel through letters, memoirs, and
transcripts of Konstantin Stanislavsky's last classes. Far from the
authoritarian director of his youth, he reveals himself as a generous
mentor, who empowers actors with a brand new collaborative approach to
rehearsals. His assistant, Maria Knebel, first bears witness to his
forward-looking ideas and then builds the bridge to new plays in new
styles through her directing and influential teaching.
Part II follows a 21st century company of diverse actors as they
experience the joy of applying Active Analysis to their own creative and
professional work.