Dubious Equalities and Embodied Differences explores cosmetic surgery as
a cultural phenomenon of late modernity. From its onset as a medical
specialty at the end of the nineteenth century, cosmetic surgery has
been intimately liked to discourses of 'normalcy, ' as well as to
gender, race, and other categories of difference that have shaped its
technologies and techniques, its professional ideologies, and the
objects of its interventions. Davis considers how cosmetic surgery is
taken up in representations of cosmetic surgery in medical discourse and
in popular culture, drawing on a wide range of cultural manifestations
including televised 'infotainment, ' popular music, performance art,
surgeon biographies, stories of patients, public debates, and medical
texts. Davis critically engages with the notion of cosmetic surgery as a
neutral technology and shows how it is implicated in the surgical
erasure of embodied differenc