Video games, YouTube channels, Blu-ray discs, and other forms of "new"
media have made theatrical cinema seem "old." A sense of "cinema lost"
has accompanied the ascent of digital media, and many worry film's
capacity to record the real is fundamentally changing. Yet the
Surrealist movement never treated cinema as a realist medium and
understood our perceptions of the real itself to be a mirage. Returning
to their interpretation of film's aesthetics and function, this book
reads the writing, films, and art of Luis Bunuel, Salvador Dali, Man
Ray, Andre Breton, Andre Bazin, Roland Barthes, Georges Bataille, Roger
Caillois, and Joseph Cornell and recognizes their significance for the
films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American
remake of the Japanese Ring (1998); and a YouTube channel devoted to
Rock Hudson. Offering a positive alternative to cinema's perceived
crisis of realism, this innovative study enriches the meaning of
cinematic spectatorship in the twenty-first century.